funny, some of my fave cds are things that i first heard off of downloads or used in other technically illegal ways (such as a music video put together with a certain song as the backing, and even if the visuals were rubbish, the file stayed because of the music). several bands i would never have heard of otherwise. and there's a few more i'm planning on going for once all the 8-day confusion of xmas and my birthday pass.
corrolary to that, a vast majority of the mp3s i have are either 1/ cds i have bought (check the desktop thread - you see that cd rack? they all came from a shop) and ripped (only at 128k, for sharing but not out and out piracy), 2/ stuff that's unobtainable, or 3/ things i either havent listened to and havent got to yet, or have listened to, dont like, and will either give a second chance or delete when i get round to it.
The good stuff that can be got eventually gets the cash (because my ears are quite intolerant of mp3 distortion, and my honesty bone starts telling me "these artists deserve to eat"), the bad stuff fades.
On the other hand a small proportion of my cd rack consists of discs that are, for want of a better word, sh1te, that i either bought "blind" off the packaging or by word of mouth, through loyalty to a band (that proved to be betrayed), or were bought for me. Been played maybe once or twice on first arrival, and perhaps as many times again out of sympathy or as a reminder of how poor they are. But just you try taking them back to the shop, or selling them on for anything other than stupid money...
I think the fear of the record corps is that those purchases won't be made... and innovative bands (such as the cuban boys disc that i hold dear.. ultra rare as EMI pulled it after about a fortnight) that dont fit their pop norm or fashion factory will be shunned as people won't be browbeat into liking it by relentless airplay - who needs radio when you have the net and an mp3 capable computer?
Feh.
Yeah I know it's a bit of a highbrow argument, that maybe such activity is the preserve of very few internetters. That the vast majority of bit torrent users are e-chavs who just want to take the latest churned out hollywood blockbuster or pop sh1te album and be entertained without having to put in for it... similar to nicking the door mirrors off every car on the estate and then being surprised and indignant when they end up in the nick. My hope is also that most of them are pretty young with little expendable income, all of which goes on console games instead, and they'll grow out of it when they get decent jobs. Maybe.
Then again there's still a roaring trade in copied DVDs amongst the drinks staff and door supervisors at the bar.. oh, wait.. DECENT jobs
but... well......
nads to it, i'm pissed off that the bureau of mindless mass theivery has once again spoiled a valuable resource of rare, fresh and exciting stuff for the small number of us who like such things.
and how in the balls am i supposed to get hold of those cities of gold premium digitally remastered MPG-2 streams now, until some bright tosspot realises that it needs to follow dogtanian and ulysses 31 onto DVD (...along with the other 50% of the dogtanian episodes..)
feh again and thrice feh.
i'm hopping on to DC++ to find some Joan Baez (actually pretty damn elusive in the shops as it happens) and Lamar (well, maybe i WILL buy his cd as a present instead of burning it - he's quite good) before it all disappears.
/stream of selfrightonciousness
PS..... *spits from a height on the current pay-download sites* ... 99p a track? what the hell? when i can get most of that crap on a 40-track double album for £11.99? GET A MOTHERF***ING CLUE! No wonder people are heading down the piracy route when those are the only options! If twere 25p a track i'd be a
hell of a lot more interested (or even 50p, as there's the make-your-own privelege and a 14 track album is now competitive with a professionally pressed product) and your sales would probably gross *more*.
to say nothing of the main meat of the problem being factories in korea and china churning out thousands if not millions of copies of big name movies daily and selling them for a few quid each both locally and far afield (hint: check ebay)... most internet sharers don't got burning their stuff for to sell for profit, and those that do are pretty easy to catch and put out of business without having quite such a level of organisation... but those selfsame internetters are soft targets as they dont represent a substantial company in a foreign country with a high violent organised criminal contingent, and tend not to very well know their "comrades" on the other end of the line in person and can be taken out one by one without a collective uproar happening - as might happen at, say, a street protest (now illegal in the uk pretty much!).
ok done now